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My recent awkward and sometimes grotesque images, vacillating between abstraction and the figure, offer an insight into the human condition. During a practise that begins with automatic marks and the subsequent responses with colour and line, unsettled moments of understanding are found. These insights, that I may not be ready to deal with or accept, intrigue me.

; two-thousand and sixteen

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; two-thousand and thirteen/fourteen

; two-thousand and twelve

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